Le Parallélisme: Esthétique du solipsisme dans le cinéma de Michael Mann

Authors

  • Stéphane Kalla Pázmány Péter Catholic University, Piliscsaba

Abstract

The paper presents certain key features from a philosophical and phenomenological point of view of the aesthetics of Michael Mann, a leading film maker of modernity. We try to identify the aesthetic, phenomenological and metaphysical issues of a unique formalism, parallelism.

Published

2014-12-01

How to Cite

Kalla, S. (2014). Le Parallélisme: Esthétique du solipsisme dans le cinéma de Michael Mann. Verbum – Analecta Neolatina, 15(1-2), 107-132. Retrieved from https://verbum-analectaneolatina.hu/index.php/verbum/article/view/416

Issue

Section

Artes