Le Parallélisme: Esthétique du solipsisme dans le cinéma de Michael Mann
Abstract
The paper presents certain key features from a philosophical and phenomenological point of view of the aesthetics of Michael Mann, a leading film maker of modernity. We try to identify the aesthetic, phenomenological and metaphysical issues of a unique formalism, parallelism.
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Published
2014-12-01
How to Cite
Kalla, S. (2014). Le Parallélisme: Esthétique du solipsisme dans le cinéma de Michael Mann. Verbum – Analecta Neolatina, 15(1-2), 107–132. Retrieved from https://verbum-analectaneolatina.hu/index.php/verbum/article/view/416
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